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Shot editor + 11 shot types
Last updated May 22, 2026 · 4 min read
Occasionally you need to specify a shot (e.g. "close-up on J. Doe's hand", "wide aerial"). Script Studio's shot element lets you mark shots for the director / DP to see.

When to use a shot
Traditionally, scripts don't specify shots — that's the director / DP's job. But sometimes:
- A close shot emphasising something
- A POV emphasising a character's view
- A wide to establish a scene
- A tracking shot for a moving moment
These shots carry story meaning, so the writer can mark them.
The 11 shot types
The shot element's type dropdown offers a fixed set of 11 industry-standard types. Each one renders with its Hollywood label or its Taiwan-format label, depending on your script format.
| Hollywood label | Taiwan label |
|---|---|
| INSERT | 插景 |
| CLOSE ON | 特寫 |
| ANGLE ON | 角度 |
| POV | 主觀鏡頭 |
| MEDIUM SHOT | 中景 |
| WIDE SHOT | 遠景 |
| EXTREME CLOSE UP | 大特寫 |
| BACK TO SCENE | 回場景 |
| TRACKING SHOT | 追蹤鏡頭 |
| SERIES OF SHOTS | 連續鏡頭 |
| MONTAGE | 蒙太奇 |
INSERT is one of these 11 types — see Description / Transition / Insert Shot.
Adding a shot in Write view
A shot is a structured element with two parts: a type and its content. On an empty line, type / to open the command menu and pick Shot (or press Ctrl+5). A shot line appears:
- A type button on the left — click it to open the dropdown and choose one of the 11 types.
- A content field on the right — type what the shot is on (e.g. "PHOTO OF FATHER", or leave it blank).
In Hollywood format the line reads like INSERT — PHOTO OF FATHER; in Taiwan format it shows a ▲ prefix, like ▲ 插景:父親的照片.
Caveat
Overusing shots makes the script feel like a "shotlist" rather than a screenplay — generally discouraged in screenwriting circles.
Reserve shots for:
- Shots carrying significant story meaning (a close shot emphasising the antagonist's eyes; a POV showing the protagonist's blind spot)
- Moments where visual humour / suspense requires it
- Shots already discussed with the director and agreed to be in the script
For everyday shot design, leave it to the director / DP.